〈 It / Es 〉thinks, in the abyss without human.

Transitional formulating of Thought into Thing in unconscious wholeness. Circuitization of〈 Thought thing 〉.

▶ マルクス・ガブリエルのイスラエル擁護記事を通じて色々と考える〈2〉

前回記事からの続き ------------------------------ 2. 新聞記事の内容について -------------------------------------------------- ▨ ここまで読んだ方は、じゃあ肝心の新聞記事の内容って何なの? と思うでしょうから、以下に抜粋しておきます。しかし…

▶ マルクス・ガブリエルのイスラエル擁護記事を通じて色々と考える〈1〉

1. まずは、状況の感想について … -------------------------------------------------------- ▨ 興味深い新聞記事があったので、それをきっかけに考えた事を書いておこうと思いまして ( もう誰も書かないだろうなとの思いもあって )。 その新聞記事とそれ…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 8 〉

前回記事からの続き ------------------------------- 第10章 〈 日常 〉 と 〈 凡人 〉、 そして普遍性 … ------------------------------------------------------------------------------------- ▨ ミシェル・ド・セルトーは、このような私たち大多数…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 7 〉

前回記事からの続き ------------------------------- 第9章 〈 戦争 〉 と 〈 平和 〉 ② --------------------------------------------------------- ▨ イヴァーノフ=ラズームニクをして個人主義を放棄したと言わせしめたトルストイの論理とはいかなるも…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 6 〉

前回記事からの続き ----------------------------- 第8章 〈 戦争 〉 と 〈 平和 〉 ① ---------------------------------------------------------- ▨ "戦争と平和" と言うと、 多くの人はトルストイの 『 戦争と平和 ( 1864~69 ) 』 を思い浮かべるでし…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 5 〉

前回記事からの続き ----------------------------- 第7章 〈 戦争 〉 と 単独物としての 〈 人間 〉 --------------------------------------------------------------------------- ▨ 戦争の中でこそ生きる軍人と戦争を拒否する市民。ここで既に市民とい…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 4 〉

前回記事からの続き ----------------------------- 第6章 戦士と平穏的市民 --------------------------------------------- ▨ ここで再び、文化について考えることにしましょう。人間は文化を通じて、人間自身に対して最大限の暴力が加えられる政治的攻撃…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 3 〉

第5章 両極化された人間形象 ▨ ソルジェニーツィンの 『 収容所群島 』 とスターリニズムは暗黙の内に、 普遍的人間がこの世界には具体的には存在していない ( しかし抽象物としては存在する ) 事を証明してしまっている。 具体的に存在するのは、 人民を支…

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 2 〉

第3章 人間が人間に向き合うという暴力的関係性 ▨ ここで大切なのは、 人間が直接的に尊厳を持つとはいかなる "現実" であるのか誰も分からない という事です。 分からないからこそ人間は人間に対して未だ暴力を加え続けるのです、 国家政治体制内であれ、 …

▶ ソルジェニーツィンの『 クレムリンへの手紙 』を通じて考える〈 1 〉

作品 「 クレムリンへの手紙 」 原題 『 Letter to the Soviet leaders 』 著者 アレクサンドル・ソルジェニーツィン 訳者 江川卓 1974年9月20日 第1刷発行 発行所 新潮社 〈 目次 〉 クレムリンへの手紙 1 膝まずく西欧 p.12 2 中国との戦争 p.18 3 文明の…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Poem of the Sea ( 1958 ) 』

Film 『 Poem of the Sea ( Russian : Поэма о море ) 』 Directed by Yuliya Solntseva ( Russian : Юлия Солнцева ) witten by Alexander Dovzhenko ( Ukrinian : Олександр Довженко ) Release 1958 Starring Boris Livanov ( Ru : Борис Ливанов ) ( gen…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Michurin ( 1948 ) 』〈 4 〉

■ The title of this chapter "Earth Instead of Stalinism" is derived from "Muddle Instead of Music", the title of the critical article ( 1936 ) in Pravda on Shostakovich's opera, Op. 29 "Lady Macbeth of Mtsensk". Although this critical arti…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Michurin ( 1948 ) 』〈 3 〉

■ From here, Dovzhenko's attempt begins to symbolically depict the earth by projecting the great nature of the Soviet Union ( 35~40 ). To understand how Dovzhenko's depiction of Nature impressed Shostakovich, the soundtrack producer, liste…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Michurin ( 1948 ) 』〈 2 〉

■ The second half begins from here. Michurin was invited by People's Commissariat to St. Petersburg for New Year's celebrations. There, Michurin received official state certification and financial assistance for his fruit orchard from the …

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Michurin ( 1948 ) 』〈 1 〉

Film 『 Michurin ( Ukrainian : Мічурін ) 』 Directed by Alexander Petrovich Dovzhenko ( Довженко Олександр Петрович ) Release 1948 Starring Grigori Belov ( Russian : Григорий Белов ) ( Ivan Michurin ) Vladimir Solovyov ( Russian : Владимир…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Earth ( 1930 ) 』〈 3 〉

■ The leader who succeeds Vasyli's position addresses the people and praises Vasyli's achievements as a Bolshevist. On this occasion, rather than all mourning Vasyli's death, it is emphasized that his death should be politically praised as…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Earth ( 1930 ) 』〈 2 〉

■ Vasyli dances alone on the street ( 25~26 ). Suddenly, someone shoots him dead and he collapses ( 27~28 ). ■ Vasyli's fiancée Natalya and Vasyli's father are grieving to see Vasyli's corpse ( 29~31 ). What is interesting about this seque…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Earth ( 1930 ) 』〈 1 〉

Film 『 Earth ( Ukrainian : Земля ) 』 Directed by Alexander Petrovich Dovzhenko ( Довженко Олександр Петрович ) Release 1930 Starring Semyon Svashenko ( : Семен Свашенко ) ( Vasyli ) Olena Maksimova ( : Олена Максимова ) ( Natalya : Vasyl…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Arsenal ( 1929 ) 』〈 2 〉

■ The following is the sequence that could be called "March of the Bolsheviks", which symbolically shows that the Bolsheviks getting over dead comrades and moving forward ( 30~33 ). ■ It is "March of the Bolsheviks" as symbolism of the wor…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Arsenal ( 1929 ) 』〈 1 〉

Film 『 Arsenal 』 Directed by Alexander Petrovich Dovzhenko ( Довженко Олександр Петрович ) Release 1929 Starring Semyon Svashenko ( Семен Свашенко ) ( Tymish ) Mykola Kuchynsky ( Микола Кучинський ) ( Symon Petliura ) Osip Merlatti ( Оси…

〈 Think Film Core 〉 ..... on Alexander Dovzhenko's film 『 Zvenigora ( 1928 ) 』

Film 『 Zvenigora 』 ( *A ) Directed by Alexander Petrovich Dovzhenko ( *B ) Release 1928 Starring Nikolai Nademsky Semyon Svashenko Aleksandr Podorozhny ( *A ) ■ Zvenigora ( Звени́гора ) was produced under the Soviet Union, so it has b…

〈 Think Film Core 〉 ..... on Ken Russell's film 『 Gothic ( 1986 ) 』

■ A close-up of a skull ( 1 ) appears at the end of the opening credits of the film. The significance of this image, which is emphasized just before the story begins, is not only to indicate that the film is a suspense horror film, but als…

〈 Think Film Core 〉 ..... on Germaine Dulac's film 『 The Seashell and the Clergyman / La Coquille et le clergyman ( 1928 ) 』〈2〉

■ While "The Seashell and the Clergyman" is categorized as a pioneering surrealist film or a pure film, if Artaud considered "The Seashell and the Clergyman" as a film reflecting his own thought, we can say that "The Seashell and the Clerg…

〈 Think Film Core 〉 ..... on Germaine Dulac's film 『 The Seashell and the Clergyman / La Coquille et le clergyman ( 1928 ) 』〈1〉

■ Today, when the film "The Seashell and the Clergyman" is mentioned, it is not so much as a film by Germaine Dulac, but rather as a film for which Antonin Artaud wrote its script. Even if one is not interested in the director of the film,…

〈 Think Film Core 〉 ..... on Arne Glimcher's film 『 Just Cause ( 1995 ) 』

■ The title "Just Cause," of course, it should be considered that this does not refer only to the revenge of the murderer Bobby Earl against Katie Armstrong ( Scarlett Johansson ). If one were to think of it that way, the film would be a s…

〈 Think Film Core 〉 ..... on Alfred Hitchcock's film 『 I Confess ( 1953 ) 』

■ In Catholicism, there is an act called confession, in which the Baptist confesses his sins and obtains God's forgivenes. This form of confession, in which the baptist is heard in the confessional by a hearing priest, God's representative…

〈 Think Film Core 〉 ..... on Ridley Scott's film 『 Blade Runner The Final Cut ( 2007 ) 』

■ Since the clarification of the mystery and the explanation of the details in "Blade Runner ( 1982 )" can already be found in numerous articles, we will take a more philosophical approach here. Considering that the final cut of "Blade Run…

〈 Think Film Core 〉 ..... on Christopher Nolan's film 『 TENET ( 2020 ) 』

■ The purpose of this article is not to explain the entire story of "TENET," which is said to be difficult to understand. Here, we will philosophically consider the significance of Christopher Nolan's use of Time Axis ( yes, let's say time…

〈 Think Film Core 〉 ..... on Mary Harron's film 『 American Psycho ( 2000 ) 』

■ There was once a question among movie fans as to whether the film's protagonist, Patrick Bateman, actually committed killing Act or just had Fantasy of murder. This is because at the end of the film, Bateman's secretary, Jean, found a no…

〈 Think Film Core 〉 ..... on Andrei Tarkovsky's film 『 The Sacrifice ( 1986 ) 』

■ No director is more overlooked for the radicalism of his films than Andrei Tarkovsky. Everyone opens their mouths and says, " The excellence of the poetic images, and as for "Sacrifice", ideological interpretations such as "message again…